SESSION 1: IMPLEMENTING THE MUSIC MODERNIZATION ACT
- Orrin G. Hatch-Bob Goodlatte – Music Modernization Act
- Circular 73A – Compulsory License for Making and Distributing Phonorecords
- Circular 73B – Compulsory License for Making and Distributing Digital Phonorecords
- Collective Rights Management Practices Around the World
- Unclaimed Royalties Study: Notice of Inquiry
- Jacob Victor – Reconceptualizing Compulsory Copyright Licenses
- Copyright and the Music Marketplace
SESSION 2: THE CHANGING NATURE OF SOUND RECORDING RIGHTS
SESSION 3: WHAT IS THE SCOPE OF A MUSICAL COMPOSITION?
- Robert Clarida – Presentation Slides
- Williams v. Gaye – Brief Amici Curiae of the IIPSJ, Musicians and Composers, and Law, Music, and Business Professors in Support of Appellees
- Robert Brauneis – Musical Work Copyright for the Era of Digital Sound Technology: Looking Beyond Composition and Performance
SESSION 4: THE NEW ROLE OF RECORD LABELS & PLATFORMS
SESSION 5: THE POWER OF DATA OWNERSHIP & ANALYTICS
- Jake Linford – Presentation Slides
- Johua Friedlander – Presentation Slides
- Tonya Evans – Presentation Slides
- Jake Linford – A Second Look at the Right of First Publication
- Serona Elton – Presentation Slides
- Tonya Evans – Blockchain and the Disintermediation of Music
- Jake Linford – Copyright and Attention Scarcity
- Mid-Year 2020 RIAA Revenue Statistics
SESSION 6: ARTIST MANAGEMENT & THE BUSINESS OF MUSIC
SESSION 7: SUPPORTING ARTISTS & COMMUNITIES
- Ying Zhen – Presentation Slides
- Matthew Barblan – Copyright as a Platform for Artistic and Creative Freedom
- Megan Ellen Steele – How Can Music Build Community? Insight from Theories and Practice of Community Music Therapy
- Raymond A. R. MacDonald – Music, Health, and Well-Being: A Review
- Lateef Mtima – IP Social Justice Theory: Access, Inclusions, and Empowerment